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Offline daub

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Rapidfire
« dnia: Grudnia 28, 2009, 09:02:16 am »
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Według chinese-democracy.blogspot.com  [English Version]



"I remember for two years standing at the Troubadour and people wouldn't talk to me; I didn't know what to say to them, so you just watched and learned for a long, long time," Axl Rose told Kerrang.

Kevin Lawrence remembers seeing ‘Bill’ around in those days. They began nodding at each other, and eventually struck up a conversation.

“He said he was a singer,” recalls Lawrence. “I said, ‘Do you have a PA?’ And he said, ‘Yeah.’ And I said, ‘You’re hired.’”

Lawrence was fronting a trio called Rapidfire and he was tired of trying to be the singer and the guitarist. Bill was a dream come true. He was smart, clean and he had his own PA. He asked Bill (he was never Axl then, says Lawrence) to join him and Mike Hamernik on bass and Chuck Gordon on drums. They were a hard rock band, along the lines of AC/DC or Judas Priest, and played small metal clubs around L.A.. All the material was written by Lawrence.

They rehearsed at Chuck’s parents’ house in Encino, recalls Lawrence – in his small bedroom with drums and Marshall stacks crammed next to their ears.

“The cops would come all the time and tell us to shut it down. Actually,” he backtracks, “if I remember right, Chuck’s sister was a cop. We couldn’t get in too much trouble!”

“The songs were already written when Bill joined,” recalls Lawrence, “so he just learned them. He didn’t have the opportunity to write. He did show me the lyrics to one song, Back Off Bitch, though.

“He was a perfectly normal guy when I knew him. He was hardworking, he always showed up to rehearsals and gigs on time and he did a good job at promoting the band as well.”

“He was a perfectionist – we all were,” says Lawrence, but adds there was no sign of the famous temper. “He wanted to be a rock star, and he worked at it. All the guy wanted was to be a rock star -- and a pair of I think snakeskin cowboy boots. He really wanted those boots.”

“We’d sit around and smoke cigarettes and talk about what being a rock star was going to be like. He was serious about it. I was serious about it, we were doing business.”

The band was scoring a few gigs around town at clubs like the Troubadour and the metal mecca, Gazzarri’s.

Lawrence remembers Bill wearing one glove and holding his mike out like Freddie Mercury. He’d wear the occasional bandana and would move around the stage with moves similar to those in his later years.

At Lawrence’s request, Bill was singing in the lower register. The guitarist soon rounded up some money, hired a small studio and had the band record four of his songs – Ready To Rumble, All Night Long, The Prowler, and On The Run.

It was May, 1983, shortly before the Rapidfire’s demise.

Bill was working a day job in an adult movie house, recalls Lawrence. He was still with Gina in those days, although she was moving out and Izzy was moving in.

Lawrence figures that Izzy was the ultimate instigator of Bill’s split with the band. Izzy was either no longer in Shire or about to no longer be in Shire, and he was turning his attention to starting a band with his willing buddy Bill.

“Izzy really didn’t like that Bill was in Rapidfire,” muses Lawrence. “And he really didn’t like the idea of Bill being in a band when Izzy wasn’t in a band.”

Rapidfire’s metal rock wasn’t Izzy’s thing – by that point, he was totally enamored with the Hanoi Rocks-style glam – and he told Bill he was wasting his time. He had a vision for a band, and his Indiana friend was a big part of the vision. It sparked a tug-o-war for the singer’s attention. It became immediately apparent that Rapidfire had lost when Bill arrived for what would be his last show.

“He showed up at the last minute at the club, which was unusual,” recalls Lawrence. “And he had his hair teased way out, the white powder cake up, lipstick, etcetera. He had on this leather jacket that they had spray-painted pink. He obviously wanted to do something else. We never really argued about it, it was amicable.

“I said, ‘I guess this is your last gig, huh.’”

Metal Sludge


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sorrki , że nie tłumaczone, ale w pracy nie mam za bardzo czasu :)
« Ostatnia zmiana: Grudnia 28, 2009, 09:04:09 am wysłana przez daub »

Offline Zqyx

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« Odpowiedź #1 dnia: Stycznia 01, 2010, 06:31:50 pm »
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Ciekawa historia.Ostatnio w sieci pojawiły się nawet demka przez niektórych określone jako Rapidfire;a właściwie chyba jedno demko w trzech wersjach;ale trudno stwierdzić,czy to na pewno to,choć facet brzmi bardziej jak Axl niż ten z White Christmas np. Słyszał ktoś te demka/o?
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Offline daub

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« Odpowiedź #2 dnia: Czerwca 07, 2013, 08:50:17 pm »
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Z uwagi na to, iż sample Ready To Rumble sample (0:54) został zablokowany , wrzucam rip z youtube, oraz kawałek który nie jest rozpoznany (podawany jako nowy leak z Chinese - później po burzliwej dyskusji na forum szacowne grono uzało to jako piosenkę Rapidfire)

01. Ready To Rumble sample
http://www.mediafire.com/?b7kczpn6brw0ijr

02. Rapidfire - unknown title song
http://www.mediafire.com/?aplkn7uekt8kmmm

Offline daub

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« Odpowiedź #3 dnia: Lipca 25, 2013, 10:40:23 pm »
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Przeglądając net znalazłem (english version)

the following info is from Joshua Solomon 7/2012:

"Here’s a brief (pretty much strictly factual) run-down of the songs:

"Ready to Rumble":
This would have been the title track had the songs been released in the 80s. A “call
and response” style rock anthem which was Rapidfire’s signature song. Of the four straight-up hard
rock tracks, “Ready to Rumble” is arguably the catchiest, and is the perfect “opener” for the album.
In it you will hear the first recorded example of Axl’s signature rising, multi-octave wail. It gives me
goose-bumps to this day. Honestly.

"All Night Long":
Another strong hard-rock tune, “All Night Long” commemorates the age-old rock
themes of sex, and the hard to get girl. It also offers a window into Kevin’s “mini-dictatorship.” It
seems that Axl preferred to exercise his vocal range, and use his falsetto wail. Here, Kevin kept him
entirely in check, insisting on a more toned down delivery. Years ago, Kevin gave an interview in which
he said that Axl’s vocals reminded him of Rob Halford’s. My uneducated ear hears that most here.

"The Prowler":
Probably the most complex song of the five, both in terms of the music and the vocal
delivery, “The Prowler” is more subdued than the other traditional hard-rock tracks. It contains a
contrasting, almost “deep-purplesque” bridge, bracketed by bass-heavy riffs and preceded by a piercing
descending scream from Axl – who adds additional character in the form of a wickedly evil sounding
laugh.

“On the Run”:
Another hard-rock toe-tapper, in “On the Run” Kevin again seems to hold Axl back.
You can almost hear Axl straining against his vocal bonds. A solid piece of early-80s metal, the song
leaves me wondering what it could have been had Axl been free to use his full range.

“Closure”:
This is the unexpected treasure in the collection. “Closure” is a simple, unadorned ballad
featuring just Kevin’s guitar and Axl’s vocals. Bittersweet and charming on its own, this is where you
hear pure, undisguised, unmistakable, Axl Rose vocals. It’s a haunting preview of the voice"

Źródło: http://www.mygnrforum.com/index.php?/topic/190331-marc-is-this-the-plague/
« Ostatnia zmiana: Lipca 25, 2013, 10:44:04 pm wysłana przez daub »

Offline Tymeg

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« Odpowiedź #4 dnia: Lipca 26, 2013, 09:40:44 am »
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Czy te nagrania to te, których udostepnienia/wydania blokuje Axl?
Jeśli tak jest to szkoda, bo opis jest ciekawy.

Offline daub

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« Odpowiedź #5 dnia: Lipca 27, 2013, 06:13:04 pm »
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Tak, to demo które blokuje jego wydanie Axl...

Offline Bender

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« Odpowiedź #6 dnia: Lipca 28, 2013, 11:03:12 pm »
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Ach ten Axl - wokalista-celebryta-gwiazda-idol i nie chce 'obarować' ludu swoim obecnym jak i przeszłym materiałem.
GN'R 11.07.12 / 20.06.17 / 09.07.18 / 20.06.22
SLASH 13.02.13 / 20.11.14 / 12.02.19 / 16.04.24
DUFF 12.06.14 / 22.08.19 / 13.10.24

Offline daub

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« Odpowiedź #7 dnia: Lutego 21, 2014, 07:23:56 am »
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Mr. Billy Rose - bo tak wówczas nazywał się Axl skutecznie blokuje prawnie wydanie demówek Rapidfire.
Swoją drogą...może upublicznią się one kiedyś...

Offline Nata

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« Odpowiedź #8 dnia: Lutego 21, 2014, 09:49:03 am »
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Jak ja bym chciala miec taki album. Dalabym chyba wszystko za to. uwazam, ze Axl brzmial wtedy wspaniale i z tego co udalo nam sie odsluchac z "Ready to Rumble"  to bylo cudne, wiec Panie Kierowniku, zebysmy nie musieli czekac na to dopiero gdy pana juz zabraknie  :_:

 

Rapidfire - Ready To Rumble - opinie

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